The major characters in Hemingway’s novels and
short stories are divided into two groups. There are certain round characters
who find themselves at cross-ends with the world around them and they are tying
to come to some convincing terms with their environment but do not know the way
out. They learn with the passage of time and evolve a new set of values, which
make their survival possible. There are certain other characters that do not
need any education because when they appear before us they are perfect in
themselves. These characters appear with different names in different novels.
But they share so many characteristics in common that critics identify them
collectively as the Code Hero or in Earl Rovit’s terms “the Tutor”.
Hemingway’s code hero is usually an older man,
tremendously courageous and blindly confident who has realized his
potentialities and know his area of operations. He is perfectly skilled and
experienced in his art and executes his jobs full-boldly. He is usually a
bullfighter, a fisherman, a veteran soldier or a prized fighter who is dead
sure of his success and acknowledgement in his particular department.
Hemingway’s code hero is an incarnation of those
values, which make for the void of life caused by the First World War. The code
hero is fully aware of the fact that if a man wishes to live most intensely
only in confrontation and death by showing his coolness, endurance, grace and
discipline he can assert his moral integrity and manliness.
Wilson, Pedro Romero, Santiago etc. are different
examples of the code hero. Santiago fights the battle with courage and dignity
to defend his prize against the sharks in the big sea especially when the
Marlin is bleeding but as to give is unmanly. So he sustains his stature in the
face of heavy and even insurmountable odds. He proves that:
“Though the field is lost everything is not lost.”
And
“A man can be destroyed but not defeated.”
Romero, the code hero, in “The Sun Also Rises” is
presented as the“Messiah” who has come to save not only full fighting from
decadence but also“The Lost Generation”. He demonstrates to them through his
actions how one can live with dignity and grace while facing death. Jake Barnes
is greatly impressed by Romero when the former says:
“After Romero has kill his first bull “Montoya”,
caught my eye and nodded his head. This was a real one. There had not
been a real one for a long time. He knows
everything when he started. The other cannot learn what he was born with.”
The encounter of Robert Cohn and Pedro Romero, the
encounter of the code hero and the romantic hero present the difference between
physical and moral victory between chivalric stubbornness and real self
respect. Thus Pedro fights to repair an affront to his dignity and though he is
badly beaten yet his spirit is untouched by disappointment, whereas Cohn’s
spirit is completely smashed. Though the next day Romero’s eyes were
discolored, lips and face were swollen yet he beats Belmote in particularly
every sphere of the sport. Cohn had based his skill at boxing or upon a women’s
love, so he fails when neither love nor skill supports him but Romero’s manhood
is a thing independent of women. Even in his courtship of Brett Ashley there is
no loss of his pride and self respect.
He appears for a brief span of time but he has
taught Jake Barnes to face the realities of life with stoic endurance and made
Brett say:
“You know it makes one feel rather good deciding
not to be a bitch.”
And
“It is sort of what we have instead of God.”
Brett’s declaration is a prove that Romero indeed
had the greatness within the bullring and outside of it.
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